If there was anyone, however, who could infuse it with charisma and magnetism, it’s Kai’s crooning of “Vanilla, vanilla, is what I’m craving” set to choppy bongo beats and languid chord progressions.Īs he says, “Your soft touch feels good, I keep calling out your name, I savor this sweet moment”, one is reminded of the words of Philostratus The Elder: “Desire ( himeros), the companion of love ( eros), so suffuses the eyes that it seems clearly to drip from them.” The years have not been kind to the flavour or the term – being termed ‘vanilla’ with respect to anything, more often than not, is akin to an insult. The best track on the project, however, is the refrained, choppy, yet intense ‘Vanilla’. When coupled with the phantasmagorical visuals of the music video – where the simplicity of the song becomes entangled with Kai’s smooth, slick moves and dreamy sets – you get the feeling that you’re Eve trying to resist the call of the apple on the tree. The possibility of getting your heart broken always looms on the horizon, but his words in your ear placate you enough to accept the outcome. Reveling in being the “bad guy”, Kai constantly treads the line between love and lust. If last year’s ‘Mmmh’ was an aggressive, forward, titillating call to the dark side, ‘Peaches’ wraps those cruel intentions in sweet whispers and almost deceptive appreciation. It’s the little touches he adds, however – the choppy progression on ‘Vanilla’, the soaring chorus on ‘Come In’, the hedonistic picture he paints on ‘Domino’ – that make it a work of genius. Just like ‘Kai (开)’, ‘Peaches’ comes bolstered by a steady R&B background. On ‘Peaches’, he expands the world he’s created and adds maturity, a streak of danger and just a hint of vulnerability. He reduced our world to a singular point – him – on the title track ‘Mmmh’, consumed our memories on ‘Amnesia’ ( “Can’t remember anything before you,” he said), and embodied desire itself on ‘Nothing On Me’ ( “I want nothing on me but you,” he sang). Aptly titled ‘Kai (开)’, the mini-album came riddled with one addictive track after another, all painting a picture of Kai’s multifaceted enigma, at the center of which was a demand to pay attention only to him.
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Of course, we got a glimpse of it on his solo debut last year. His is a seductive art, a mastery of the right words, said at the right time in the right tone, all meant to leave one gasping for breath and under his spell. To engage with him, even on a superficial level, is to open your senses to his fluvial language, which begins with music and expands outwards, crafting a heady medley of dance, expressions – something he excels at – and physical descriptions. Since his debut with the boyband in 2011, one thing about Kai has always been clear: his work goes beyond the labels of just singing or dancing – he is a performer. Silhouetted against an ethereal background of sultry pink and yellow, flowing with the melody and rhythm of ‘Peaches’ – the title track from his sophomore mini-album ‘Peaches’ – EXO’s Kai paints quite the same picture. – ‘공감 (Empathy)’ review: excellent acoustic pop confessionals with a golden voice Wet has also recently partnered with staple menswear brand Noah for a capsule collection with exclusive clothing items including a pocket tee, crewneck in two colors and a long sleeve tee.In ‘Cratylus’, the Greek philosopher Plato talks about the reasoning behind the name of Himeros, the Greek God of desire: “The name himeros (longing) was given to the stream ( rhous) which most draws the soul for because it flows with a rush ( hiemenos) and with a desire for things and thus draws the soul on through the impulse of its flowing, all this power gives it the name of himeros.” The upcoming nine-show run includes a performance at Huichica Music Festival in Sonoma, a Brooklyn date with Coco & Clair Clair, and a Chicago date with Liam Benzi. The new visual closely follows that of “Bound” with Blood Orange shared earlier this week.Īdditionally, Wet will set out for fall tour dates in select markets to coincide with Letter Blue’s release. With the album the group also shares the video for “Larabar (by Gia Coppola),” styled by Turner and showing a cinematic and intimate live performance of the track directed by Gia Coppola and created in partnership with WePresent by WeTransfer. Letter Blue continues Wet’s sophisti-pop sound across 10 tracks written by vocalist Kelly Zutrau, produced by member Joe Valle with co-writing and co-production credits from Toro y Moi’s Chaz Bear, Buddy Ross, Frank Ocean’s go-to keyboardist, and Dev Hynes on “Bound” featuring Blood Orange.
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The album marks the third full-length installment from the group and the rejoining of founding guitarist Marty Sulkow. Today, the New York City-based trio Wet releases their new album Letter Blue, out now via AWAL.